Category Archives: review

A Year of Biblical Womanhood by Rachel Held Evans

Word Lily review

A Year of Biblical Womanhood: How a Liberated Woman Found Herself Sitting on Her Roof, Covering Her Head, and Calling Her Husband “Master” by Rachel Held Evans (Thomas Nelson, October 2012), 352 pages

a year of biblical womanhood

My first inclination is to say I learned stuff from reading this book. Valuable stuff, even. But after that first inclination is past — when you ask what I learned — I can’t come up with much I actually learned from the book itself.

I learned the labels for things. Complementarian vs. egalitarian, for example. I came to more deeply understand how flawed the idea that biblical womanhood = June Cleaver really is. June Cleaver wasn’t in the Bible, folks. Polygamy was, though.

Reminded again (Hello, philosophy minor!) how vital it is to recognize the bias and assumptions we bring to the table when we approach a text like the Bible. Pulling single verses to make our point(s) is rarely advisable. (context, context, context)

How liberating is it to learn that Proverbs 31, in Jewish homes, is memorized by the men as a way to honor and esteem, praise, their wives, rather than by women as a to-do list! I don’t need to live up to an unattainable, theoretical ideal of a poem; rather, I want to, along with so many others, begin to reclaim this idea and honor women when I see them persevering and doing hard things — “Woman of valor!”

I didn’t actually enjoy the author’s approach. She uses humor, which in theory is good, but which in practice fell flat and/or felt awkward to me at several points. She downplays the work she did and the points she’s trying to make with it, which bothered me. I could never figure out if she assigned herself certain tasks to make a flippant point or to sincerely explore/learn. The brief profiles of women from the Bible felt a little unconnected to the rest of the text. I liked them, and all the other parts, too, but the text overall felt disjointed.

Maybe the biggest thing I gained from reading this book — and it’s pretty big — is some encouragement to keep pursuing the idea that I am an empath/prophet and what that looks like. That my voice is valuable and should be heard. That I can and should speak for the marginalized and wounded. Now if only I could someday figure out what acting on this actually entails …

And now some quotes (without page numbers because I read the book digitally).

“I think this is one of the reasons why, despite the fact that I vote for Democrats, believe in evolution, and am no longer convinced that everyone different from me goes to hell, I don’t mind being identified as an evangelical Christian.

Evangelicalism is like my religious mother tongue. I revert to it whenever I’m angry or excited or surrounded by other people who understand what I’m saying. And it’s the language in which I most often hear God’s voice on the rare occasion that it rises above the noise.”

and

“We cause serious collateral damage to the advancement of our sex each time we perpetuate the stereotype that women can’t get along.”

I liked that she learned (and documented that she learned) things mostly not related to her quest. As she focused on gentleness and silence, contemplative prayer became attractive to her, for example.

A prayer from Teresa of Avila that Evans used:

“Let nothing upset you,
Let nothing startle you.
All things pass;
God does not change.
Patience wins all it seeks.
Whoever has God lacks nothing.
God alone is enough.”

More quotes:

“Jesus once said that his mission was not to abolish the law, but to fulfill it. And in this instance, fulfilling the law meant letting it go. It may serve as little comfort to those who have suffered abuse at the hand of Bible-wielding literalists, but the disturbing laws of Leviticus and Deuteronomy lose just a bit of their potency when God himself breaks them.”

and

“As a Christian, my highest calling is not motherhood; my highest calling is to follow Christ. And following Christ is something a woman can do whether she is married, or single, rich or poor, sick or healthy, childless or Michelle Duggar.”

Rachel Held Evans is a blogger I’ve followed since roughly the start of this project (so, for several years now). She’s also the author of Evolving in Monkey Town. She lives in Dayton, Tennessee.

Other reviews:
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The Dragon’s Tooth by ND Wilson

Word Lily review

The Dragon’s Tooth by N.D. Wilson, Ashtown Burials book 1 (Random House Children’s Books, 2011), 496 pages

DragonsTooth

Summary
Cyrus and his sister, Antigone, live at an old, rundown roadside motel with their college-aged brother. They have since their dad died and something happened to their mom (leaving her institutionalized). They practically live on waffles. And then an old man comes and insists on renting the specific room that is now Cyrus’s. When he shows up, things get interesting, to say the least.

Thoughts
I had heard good things about N.D. Wilson’s books from various trusted sources, but mostly I’d only picked up vague shadows. Most of what I’d heard, though, was about 100 Cupboards or at least that series. I am so very glad I read this one, though.

Wilson’s writing is superb. The prose thrilled me. Here’s the first two paragraphs:

“North of Mexico, south of Canada, and not too far west of the freshwater sea called Lake Michigan, in a place where cows polka-dot hills and men are serious about cheese, there is a lady on a pole.

“The Lady is an archer, pale and posing twenty feet in the air above a potholed parking lot. Her frozen bow is drawn with an arrow ready to fly, and her long, muscular legs glint in the late-afternoon sun. Behind her, dark clouds jostle on the horizon, and she quivers slightly in the warm breeze ahead of the coming storm. She has been hanging in the air with her bow drawn since the summer of 1962, when the parking lot was black and fresh, and the Archer Motel had guests. In those days, the Lady hadn’t been pale; she had been golden. And every night as the sun had set, her limbs had flickered and crackled with neon, and hundreds of slow cars and sputtering trucks had traveled her narrow road, passing beneath her glow. When young, she had aimed over the road, over the trees, toward Oconomowoc, Wisconsin. Now, thanks to the nuzzling of a forgotten eighteen-wheeler, her glow has gone and she leans back, patiently cocking her arrow toward the sky, waiting to ambush the clouds.”

Isn’t that excellent? And the story’s pretty great, too. I don’t want to give spoilers, but aspects of this book reminded me of Diagon Alley — how right under the noses of the oblivious, magical things live and transpire. Not that this is any kind of a rip-off. The Dragon’s Tooth struck me as a wholly original story. Not that I’m well-versed enough in the genre to know such a thing. (Sheesh. Maybe it’s time for me to wrap this up and go do something else.)

Cyrus is a really great character in the ways that matter most. Intriguing, relatable, flawed. Actually, all the characters are pretty well drawn. Even the villains are nuanced and maybe even likable.

Isn’t it always thrilling to “discover” an author with a backlist? I’m excited to read the next one in this series, The Drowned Vault, and the third one (Empire of Bones) comes out this fall. (Besides reading his older books.)

… And I also feel the need, more strongly than ever now, to read Diana Wynne Jones. In fact, maybe I need to go on a long middle grade and YA fantasy reading tear?

Rating: 4.75 stars

Other reviews
Charlotte’s Library
Pages Unbound
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Please Ignore Vera Dietz by A.S. King

Word Lily review

Please Ignore Vera Dietz by A.S. King (Knopf Books for Young Readers, 2010), 336 pages

please ignore vera dietzSummary
Her best friend, the boy next door, the guy she loved — *he* died. But maybe even worse, the friendship/relationship ended before he died. The title character goes through life, most days in a haze of grief, getting through her senior year of high school, working at the pizza place, and dealing with her dad. Mostly trying to avoid her destiny (of becoming her mom).

Thoughts
Just a touch of mystery pervades this book for most of its breadth. But for the most part it’s the story of how a girl deals with the grief and regret of losing her best friend.

It’s really readable. Good, but tragic, sad. I feel like it says good stuff about life, but maybe I was reading too fast to catch it? Maybe just too tired or racing through it too fast. I mean the underlying meaning stuff.

It reads a bit like Sara Zarr’s How to Save a Life. Except a bit more shallow. Which sounds bad, but I don’t mean it as an insult, exactly. It’s a little angry and rough. Vera is very real, in that she’s wounded, she makes mistakes.

Please Ignore Vera Dietz reads quickly. I liked how her history with Charlie is played out in History chapters, and how brief words from Charlie and her father are interspersed with the main, current-day, chronological text. My favorite aspect might well be how it dealt with the question of nature vs. nurture, or how one can avoid the path he/she is generally expected to walk in.

This was my first King, but I don’t intend for it to be my last. One of those hot YA authors I’m glad to have tried.

Please Ignore Vera Dietz is a Printz Honor book.

Rating: 3.5 stars

Other reviews
Book Addiction
The Englishist
Jenn’s Bookshelves
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Lilith by George MacDonald

lilithOnce upon a time, several years ago, when Amy and I made lists of books for ourselves and each other to read, there was one joint read on that list. Finally, at the end of 2012, we read it! That book? Lilith by George MacDonald (1895).

I think part of my motivation to read it stemmed from Hutchmoot that year, either the assigned reading leading up to it or something stated at the actual event. I read a couple other MacDonald books, and I quite liked them. (Phantastes (which I never got around to reviewing, but I took copious notes about) and At the Back of the North Wind)

My expectations going into this book were pretty high, I think, which ended up being a problem (as it so often is).

I found some bright spots in this story. The beginning was good, it started off well and my excitement continued to rise.

Several vignettes I quite liked. But as a whole, I didn’t really love it. For a very short book (236 pages in this edition), it took me nearly two weeks to get through, if I remember correctly.

I liked how MacDonald took the concept of growth (spiritual, emotional, whatever) and made it physically visible. That was kinda neat. But such a small piece of the story, it seemed. And there’s this dangerous area of the world/landscape that, at night, is filled with dangerous monsters, but certain characters simply *had* safe passage because of some aspect of their character, while others acted as a shield to a group. It was a really beautiful image, I thought, how that was worked out.

Now the not-so-good stuff. I really feel like the tagline :: A Romance is realllllllly misleading. I mean, there is a romance, and a Romance, I guess, but.

It read partly as allegory, but as soon as I decided what various characters were, it would totally fall apart. I never really felt like I understood fully what was going on. Some things I never figured out at all. This was a big one.

I seem to have such trouble finding nice (as in, not horribly done) versions of old books like this. Maybe I should just decide that just because there are cheap editions of books like this, doesn’t mean I should buy those ones. This edition wasn’t horrible, but I do think it detracted from my personal potential enjoyment of the story.

Lots of people love this book, but I wasn’t one of them. Maybe from now on I’ll stick to MacDonald’s works for young readers.

Here’s My Friend Amy’s post about Lilith.

Have you read it, or any of MacDonald’s work? What did you think?

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Too Far to Say Far Enough by Nancy Rue

Word Lily review

Too Far to Say Far Enough by Nancy Rue, book 3 in The Reluctant Prophet series (October 1, 2012, David C. Cook), 512 pages

too far to say far enough

Summary
Allison picks up right where she left off, taking care of orphans and women in trouble, along with her unexpected but strong band of helpers who have all felt some form of a Nudge from God to do so.

Thoughts
It took me a little while to remember who everyone was and where we’d left everything when I first picked up Too Far to Say Enough, this third book in a series (trilogy?). I’ve loved this series from the very beginning, and this book is no exception.

I loved the surprises, the twists and turns, and how broken and human and real the characters are. No one is a type.

I loved how things were allowed to come almost full circle in some respects with this story but still not everything was neatly wrapped up. It had a couple of the super-happy, much longed-for moments the series has led up to, also, which is excellent.

But this one seemed a little more two-dimensional to me, somehow. Maybe I’d just gotten to know the characters well enough that it wasn’t as surprising or shocking? Or maybe it’s just part of the story/series reaching its logical end.

Still, these are excellent, well-written books and I’d recommend them to almost anyone. I’m saddened by how poorly they’ve sold, apparently. Why are so many of the best books not appreciated until too late? (Just like: Why are so many of the greatest TV shows cancelled before they can even get to the best parts?) I’m afraid, in this case, that the reason they haven’t sold all that well is that the target audience doesn’t want to be challenged to step out of their pew, doesn’t want to be made to feel uncomfortable or encouraged to really think things through (that working-out-of-their-faith thing, especially).

Rating: 4.5 stars

Here’s my review of book 2, Unexpected Dismounts, but I urge you to start the series with book 1, The Reluctant Prophet.

About the author
Nancy Rue has written tons of books. I love her blog, The Nudge.

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In the Woods by Tana French

Word Lily review

In the Woods by Tana French (Viking Penguin, 2007), 429 pages

Summary
In a small outlying Dublin neighborhood, three children hop the stone fence into their favorite woods. But then they don’t come home for tea, and they don’t come when their mothers call. Much later, police find only one of the tweens, terrified and with a complete block as to what filled the missing hours. Years later, that found boy is a detective on the Murder Squad. He’s changed his name and left the past buried. But when he and partner Cassie Maddox investigate the murder of a 12-year-old girl in those same woods, well, things get interesting.

Thoughts
I’d heard so many good things about this, I knew I wanted — needed, even? — to read it. I’m glad I finally got around to picking it off the shelf. The writing is superbly beautiful and filled with nuggets like this will still being accessible and readable.

The characters are definitely flawed, just the way I like them. Even when they disappoint me.

Haunting is a good word for In the Woods. Not that it scared me, but that it stayed with me in a somewhat uncomfortable way. It’s interesting to read the blurbs on the back cover, some call it a “hard-boiled police procedural” and others label it “psychological suspense.” Of course these aren’t necessarily mutually exclusive, but it does kind of show, I think, the limits of labels.

I think I might finally understand all the people who say they love sad books. Well. I’m not saying I love sad books to the extent that I’m going to seek them out, but this book is sad, and I [still] love it.

I was spoiled, I knew before I got to the end that it wasn’t all wrapped up neatly. But I don’t think it would have bothered me like it did some people, even if I hadn’t known. I should have suspected, anyway. I’m OK with ambiguity. The sadness was harder for me than the lack of closure.

In the Woods won an Edgar Award for best first novel.

Rating: 4.5 stars

I look forward to reading more from French. I’ll probably start with the follow-up to this one, The Likeness

About the author
Tana French grew up in Ireland, Italy, the US and Malawi, and has lived in Dublin since 1990. She trained as a professional actress at Trinity College, Dublin, and has worked in theater, film and voiceover.

Other reviews
Caribou’s Mom
Reading Matters
You’ve GOTTA Read This
Book Journey
Fyrefly Books
Farm Lane Books
Presenting Lenore
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Ten Rules for Living with My Sister by Ann M. Martin

Word Lily review

Ten Rules for Living with My Sister by Ann M. Martin (Feiwel & Friends, 2011), 240 pages

Summary
Pearl feels like the very uncool little sister, especially compared to the great life Lexie (eighth grade) has — with a boyfriend, tons of friends, great grades — while Pearl’s only boyfriend is the cat, Bitey (the name’s not ironic), and she doesn’t even have her own key to the apartment.

Thoughts
I picked this up because it’s by the Ann M. Martin, the author of the Baby-Sitters’ Club books, and I’d just had a conversation about reading those books and was feeling nostalgic. It also didn’t hurt that I knew it would be a quick read! :)

This was a fun story about starting to know yourself and growing up, grasping some self-control. I felt for the character, who was moved ahead in school based on academic testing but perhaps before she was ready for it socially.

The “hand-drawn” lists and charts are a definite plus.

It’s been a bit since I read a middle grade book, but this one felt like it skewed a bit younger than most/some. The protagonist is (just barely) 9 years old.

Rating: 3 stars

Other reviews
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Mini-review: The Weed that Strings the Hangman’s Bag by Alan Bradley

The Weed That Strings the Hangman’s Bag by Alan Bradley
AKA book 2 of Alan Bradley’s Flavia de Luce series, AKA the series with titles way too long to remember :: I’m really hoping this was just a book-two flub and that book 3 (and subsequent titles) will be better, back to what I expect based on book 1. While I loved The Sweetness at the Bottom of the Pie, this one felt overly dark and also nearly failed to keep my interest. Just kind of a dud. I’m holding out hope that A Red Herring Without Mustard is better, especially since I already have it. But I’ll give the series a break before giving it that shot at redemption.

Do you think it’s sophomore releases, or book-2s-in-a-series that’s so often the problem? Maybe both? Thoughts?

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