“‘And what is a portrait of a woman? Your painting and Plastik are poor stuff after all. They perturb and dull conceptions instead of raising them. Language is a finer medium.’
‘Yes, for those who can’t paint,’ said Naumann. ‘There you have perfect right. I did not recommend you to paint, my friend.’
‘Language gives a fuller image, which is all the better for being vague. After all, the true seeing is within; and painting stares at you with an insistent imperfection. I feel that especially about representations of women. As if a woman were a mere coloured superficies! You must wait for movement and tone. There is a difference in their very breathing: they change from moment to moment. — This woman who you have just seen, for example: how would you paint her voice, pray? But her voice is much diviner than anything you have seen of her.'”
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